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	<title>Motionmedia</title>
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		<title>A Central Cloud</title>
		<link>http://www.motionmedia.org.uk/?p=530</link>
		<comments>http://www.motionmedia.org.uk/?p=530#comments</comments>
		<pubDate>Mon, 08 Mar 2010 12:36:37 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[Observations]]></category>
		<category><![CDATA[CSSD]]></category>
		<category><![CDATA[debunked]]></category>

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		<description><![CDATA[On Friday night I was at Central to look at student work.  When one looks at student work I have to remind myself that it&#8217;s not about the show but, as we are consumers or often place into a spectoral position in these presentations, it&#8217;s difficult to not be overtly subjective. I mean, on one [...]]]></description>
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		<title>&#8220;Iris Brunette&#8221; clip</title>
		<link>http://www.motionmedia.org.uk/?p=513</link>
		<comments>http://www.motionmedia.org.uk/?p=513#comments</comments>
		<pubDate>Wed, 21 Oct 2009 19:18:21 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[Observations]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[Works of Interest]]></category>
		<category><![CDATA[Fuel]]></category>
		<category><![CDATA[mediated sound]]></category>
		<category><![CDATA[Melanie Wilson]]></category>

		<guid isPermaLink="false">http://www.motionmedia.org.uk/?p=513</guid>
		<description><![CDATA[I really love the simplicity of Melanie Wilson&#8217;s piece&#8211; utilising &#8220;live&#8221; and mediatized voice while still exploring core concepts of storytelling.

Iris Brunette from Gemma Riggs on Vimeo.
Documentation of performance artist Melanie Wilson&#8217;s recent production.
Taking its cue from Chris Marker&#8217;s &#8216;La Jetee&#8217;, Iris Brunette is set in a post-apocalyptic city, devastated by a war that has [...]]]></description>
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		<title>Concept 1 Rear Window Project</title>
		<link>http://www.motionmedia.org.uk/?p=479</link>
		<comments>http://www.motionmedia.org.uk/?p=479#comments</comments>
		<pubDate>Wed, 21 Oct 2009 12:05:06 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[Projects]]></category>
		<category><![CDATA[Rear window]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[concept model]]></category>
		<category><![CDATA[Hitchcock]]></category>
		<category><![CDATA[interdisciplinary]]></category>
		<category><![CDATA[post-dramatic theatre]]></category>
		<category><![CDATA[Sketch-up]]></category>

		<guid isPermaLink="false">http://www.motionmedia.org.uk/?p=479</guid>
		<description><![CDATA[Early concept sketch-up plan.
The space will be broken into four rooms which will be designed by different designers. Their requirement is that an &#8220;event&#8221; must occur within them&#8211;something public and something private. Each room&#8217;s event will be based on a broad thematic 1. sex 2.Fame 3.Death 4. Insignificance
Audience will choose a room to enter, partake [...]]]></description>
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		<title>Body desire vs visual desire</title>
		<link>http://www.motionmedia.org.uk/?p=466</link>
		<comments>http://www.motionmedia.org.uk/?p=466#comments</comments>
		<pubDate>Mon, 19 Oct 2009 21:07:35 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[Rear window]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[Auslander]]></category>
		<category><![CDATA[Hitchcock]]></category>
		<category><![CDATA[Liveness]]></category>
		<category><![CDATA[media]]></category>

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		<description><![CDATA[
Iâ€™m embarking on a new piece of research that will examine the notion of liminality within digital performance.Â  Much has been spoken lately about the aspect of liveness and Phillip Auslanderâ€™s book on the subject has become requisite reading for first year theatre students.
This idea, which has been spinning around my head for a while, [...]]]></description>
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		<title>The Theatre of no risk</title>
		<link>http://www.motionmedia.org.uk/?p=289</link>
		<comments>http://www.motionmedia.org.uk/?p=289#comments</comments>
		<pubDate>Mon, 18 May 2009 16:04:11 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[Monsters]]></category>
		<category><![CDATA[Observations]]></category>
		<category><![CDATA[Projects]]></category>
		<category><![CDATA[Arcola]]></category>
		<category><![CDATA[James Bulger]]></category>
		<category><![CDATA[Niklas RÃ¥dstrÃ¶m]]></category>
		<category><![CDATA[Soho Theatre]]></category>
		<category><![CDATA[television]]></category>

		<guid isPermaLink="false">http://www.woodenhead.co.uk/blog/?p=289</guid>
		<description><![CDATA[On paper, at least, Radstrom suggest that certain procedures should be in place should a member of the audience want to intervene. Yet this production was so afraid to offend. It was afraid that someone would intervene. It was afraid that someone would protest. It was afraid that someone would be moved enough to stop the play.
It was afraid to challenge the critic]]></description>
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		<title>&#8220;Monsters&#8221; and the media</title>
		<link>http://www.motionmedia.org.uk/?p=199</link>
		<comments>http://www.motionmedia.org.uk/?p=199#comments</comments>
		<pubDate>Mon, 16 Mar 2009 15:51:18 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[Observations]]></category>
		<category><![CDATA[Arcola]]></category>
		<category><![CDATA[James Bulger]]></category>
		<category><![CDATA[Jon Bausor]]></category>
		<category><![CDATA[Madeline McCann]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Monsters]]></category>
		<category><![CDATA[Niklas RÃ¥dstrÃ¶m]]></category>
		<category><![CDATA[television]]></category>

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		<description><![CDATA[As media was such an essential element to how the public constructed the Bulger case, the imagery would have to be seen from a multitude of vantage points. The way we constructed our opinions about the event was filtered through the media sources we choose to receive information. ]]></description>
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		<title>Just Sher arrogance</title>
		<link>http://www.motionmedia.org.uk/?p=146</link>
		<comments>http://www.motionmedia.org.uk/?p=146#comments</comments>
		<pubDate>Sun, 22 Feb 2009 15:00:06 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[Observations]]></category>
		<category><![CDATA[Anthony Sher]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[Forced Entertainment]]></category>
		<category><![CDATA[Gary Stevens]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[theatre models]]></category>

		<guid isPermaLink="false">http://www.woodenhead.co.uk/blog/?p=146</guid>
		<description><![CDATA[Â 
 Watch Sher speak to Mark Lawson
Â 
I was really quite annoyed by Anthony Sher&#8217;s remarks with Mark Lawson. Though I think his intensions are in the right place his narrow view of theatre willÂ contributeÂ to what he fears, and that is, the &#8220;death of theatre&#8221;. Yes it is true the fame of film and television is [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Short Video Sequence from Romance</title>
		<link>http://www.motionmedia.org.uk/?p=108</link>
		<comments>http://www.motionmedia.org.uk/?p=108#comments</comments>
		<pubDate>Sun, 15 Feb 2009 21:52:25 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[This Isn't Romance]]></category>
		<category><![CDATA[Soho Theatre]]></category>

		<guid isPermaLink="false">http://www.woodenhead.co.uk/blog/?p=108</guid>
		<description><![CDATA[Attempting to create some &#8220;poetic&#8221; motion for transition sequences within the piece that support the penultimate scene of the play.
]]></description>
		<wfw:commentRss>http://www.motionmedia.org.uk/?feed=rss2&amp;p=108</wfw:commentRss>
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		<item>
		<title>This Isn&#8217;t Romance: Week 2</title>
		<link>http://www.motionmedia.org.uk/?p=93</link>
		<comments>http://www.motionmedia.org.uk/?p=93#comments</comments>
		<pubDate>Sat, 31 Jan 2009 16:53:36 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[Projects]]></category>
		<category><![CDATA[This Isn't Romance]]></category>
		<category><![CDATA[In-Sook Chapell]]></category>
		<category><![CDATA[Lisa Goldman]]></category>
		<category><![CDATA[Soho Theatre]]></category>
		<category><![CDATA[Verity Bargate Award]]></category>

		<guid isPermaLink="false">http://www.woodenhead.co.uk/blog/?p=93</guid>
		<description><![CDATA[One againÂ amongstÂ another project where conceptually everyone is interested in incorporating media as a language but as they haven&#8217;t Â used it often they seem sightly uncertain. Â Working on This isn&#8217;t Romance at the Soho Theatre with Lisa Goldman at the helm as director. Â It&#8217;s a nice team and the cast is wonderful. However, as I&#8217;ve never [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Odd Man is in: Why Stephen Fry will never know me.</title>
		<link>http://www.motionmedia.org.uk/?p=82</link>
		<comments>http://www.motionmedia.org.uk/?p=82#comments</comments>
		<pubDate>Mon, 26 Jan 2009 18:41:27 +0000</pubDate>
		<dc:creator>Douglas O'Connell</dc:creator>
				<category><![CDATA[Observations]]></category>
		<category><![CDATA[Stephen Fry]]></category>
		<category><![CDATA[Twitter]]></category>

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		<description><![CDATA[I had left my Twitter to sit for months with only one follower but decided to dust off the site and be one with Stephen Fry.  As a Sunday drew in and as Stephen Fry sat in a rainy car to city airport, Iâ€™ve tweeked my blog site, spent the most part of day twittering to find some followers, downloaded Twitteriffic and Tweekdeck and hoped to play six degrees of Stephen Fry with every Twitter with a name or contact I recognized in the hope that Stephen Fry would tweek me]]></description>
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